Cheshire Antiques Consultant

British Victorian Painting Partridge Game Bird Signed by Frank Paton

€23.819,95

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This exquisite British Victorian painting features a partridge game bird, intricately painted by renowned artist Frank Paton. Its timeless beauty is sure to be appreciated and admired for years to come. With its delicate brushstrokes and impeccable attention to detail, this painting is sure to add a touch of elegance and sophistication to any room.
Title “Partridge A Study” by Frank Paton.
Subject ornithology animal bird study portrait of a partridge game bird in front profile view.
Add a statement piece of artwork to your home or office wall space, impress your guests & clients.
A nice size with the frame being 35 cm wide and 47 cm high.
Medium watercolor heightened with white.
Set in a traditional original gilt frame with protective glass front cover.
Signed by the well-known British pigeon artist Frank Paton.
Frank Paton (23 November 1855 – 13 November 1909) was an English artist of the Victorian and Edwardian eras, best known for his paintings of animals and scenes of rural life. He was a successful artist during his lifetime and could even count Queen Victoria as an admirer of his work. Frank Paton was a British 19th Century his works have sold auctions around the world, the highest recorded was 33,600 US dollars for A Hidden Feast, that sold at Christie's.
Frank Paton was born on 23 November 1855 in Stepney, London, England. His parents were James Paton and Mary Ann Paton (nee Ross) and he was the youngest of their seven children. Although Stepney, in the East End of London, was a stronghold for the Paton family, Frank Paton grew up in and around Graves end in Kent, as his father was a maritime pilot (Graves end, at the mouth of the River Thames, was a pilot station for the port of London. Unlike his brothers, the majority of whom entered the Merchant Navy. Frank Paton showed an early talent for drawing animals and was allowed to follow his artistic bent.
His first known exhibition was at the age of sixteen, the piece being a portrait of a German peasant girl. Family rumor has it that Paton briefly spent time in France working in stained-glass before being recalled by his father. It is believed that he then traveled to, and made a living in, Australia. Paton had relatives in Australia - an Uncle and Aunt had emigrated there from London in the 1850s and settled in Williamstown, Victoria - so this is plausible and Australian immigration records of the time show that a Frank Paton, aged 19, an unassisted passenger on the "Shannon" from London, arrived in Melbourne in September 1875.
If Paton did spend time in Australia, then it is unclear for how long. What is certain, however, is that he was in England during 1878 as this was the year that his painting "You Are No Chicken" - a modest sized oil on panel featuring two chicks staring at a frog - was accepted by the Royal Academy for exhibition. It was to be a turning point in the young artist's career as the work was purchased by Edward Ernest Leggatt. Although only the same age as Paton, Leggatt was already running a print and art dealership from a Fen church Street address in London. You Are No Chicken was engraved in a mezzotint by J B Pratt in 1880. Its commercial success cemented a lifelong association with Leggatt, who became the main publisher of Frank Paton's work.
In April 1881, Frank Paton married Mary Sophia Edwards (1852–1929), with the artist Basil Holmes (c.1825 - 1902) bearing witness to the union. Mary, known as 'Marian' within the family, was from Winter borne Roughton in Dorset. She was brought up from an early age by Basil Holmes and his wife Lydia, who was Mary's maternal aunt. Most likely under the tutor age of Basil Holmes, Mary became a talented, amateur artist in her own right, as is evident from a pair of etchings by her own hand: "Old Inn Schwelle" and "A Glade near Woodford".
After marrying, Frank Paton mainly lived in rural communities in Kent and in Essex. He divided his time between London and the countryside, accepting commissions for animal portraits from their owners. He was a good family man and raised four sons and three daughters with his wife. Of these, his second-eldest son Basil and youngest daughter Dorothy showed considerable artistic talent (the latter becoming a commercial artist and occasionally exhibiting works in public). Although never a member of the Royal Academy, a total of 20 works by Paton were exhibited at their annual selling exhibition between the years 1878 and 1890.
Art dealer and collector Edward Ernest Leggatt published a series of Paton's etched Christmas cards annually from 1880 until Paton's death in 1909. The cards were intended to be a cut above the average Christmas card and sold for half a guinea each. Their format became formulaic over the years. A central subject reflecting the title of the print was usually complemented by a series of often humorous sketches around its border. A number of the prints would be sent by the printers to be signed in pencil by Paton. From 1890, Frank Paton no longer exhibited at the Royal Academy following a dispute with the organizers.
His reputation was firmly established, it was of little consequence and the artist continued to work until his final days. At the time of his death, Paton was living in Walton-on-the-Naze, Essex. During the summer of 1909, the family had moved to a new house, which was undergoing alterations and repairs. Paton spent the day of 12 November 1909 discussing and supervising the works with his builder and then in the evening, at around 11.30, suffered a heart attack. Although a doctor was called, Frank Paton died from heart failure at around 5.30 am on 13 November 1909, just 10 days short of his 54th birthday. In 1919, Edward E. Leggatt donated a full set of copies of Frank Paton's prints to the British Museum.
In the inside cover of the Museum's portfolio of the artist is an anonymous tribute to Paton, written shortly after his death. Frank Paton is described as, "A kindly, modest, unassuming man with a rare fund of humor, which is reflected in his etchings. He leaves a large circle of friends and admirers to mourn his untimely and terribly sudden death." Fittingly, Paton's last ever Christmas card was called "The End of the Day".
Provenance Leggatt Brothers, London, & Museum label verso & in collection of Cheshire Antiques Consultant.
The gray partridge (Perdix), also known as the gray-legged partridge, English partridge, Hungarian partridge, or Hun, is a game bird in the pheasant family Phasiani of the order Galliformes, gallinaceous birds. The scientific name is the Latin for "partridge", and is itself derived from the Ancient Greek perdix. They are a seed-eating species, but the young in particular take insects as an essential protein supply. During the first 10 days of life, the young can only digest insects. The parents lead their chicks to the edges of cereal fields, where they can forage for insects.
An exceptionally sought after collectible artwork.
Such a delightful scene to the eye, a great conversation piece.
Highly sought after due to the collectible nature of the subject animal matter animal matter and such elaborate detail.
With hanging thread on the back ready for immediate home wall display.
Incredible conversation piece for your guests.
We only select & sell paintings based upon subject quality & significance.
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Condition report.
Offered in fine used condition.
Front painting surface in acceptable overall order. Having some craquement & various foxing stains and in places. A small round beach mark to the right of the bird's beak, a Frame, which has general wear and some losses & cracking, chips & over painting commensurate with usage & age.
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Dimensions in centimetres of the frame

High (47 cm)
Wide (35 cm)
Depth thickness of frame (5 cm)