Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 108 – Cheshire Antiques Consultant
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)
Cheshire Antiques Consultant

Chinese Painting 2 Wild Birds Plum Blossom Eyes After Zhao Ji (趙佶, 1082–1135)

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  • 1 Chinese Fine Art Mixed Media Work Of Art Painting 2 Birds Eyes With Plum Blossoms After Zhao Ji (趙佶, 1082–1135). 
  • In the style of after Zhao Ji (趙佶, 1082–1135.)
  • Subject Ornithological study of 2 wild birds perched on flowering plum blossom branches.
  • Very unusual as the birds eyes have hand painted plum blossom decorations around them.
  • Ink, gouache and colour on silk with front protective glass cover.
  • Stamped signed by the artist with various unknown Chinese marks.
  • Circa mid 20th century set in a gilt frame backed with board.
  • Emperor Huizong (宋徽宗, 1082–1135), was the eighth and one of the most famous emperors of the Song dynasty, with a personal life spent amidst luxury, sophistication and art but ending in tragedy. Born as Zhao Ji (趙佶), he was the 11th son of Emperor Shenzong. In February 1100 his older half-brother Emperor Zhezong (哲宗) died without a surviving son, and Huizong succeeded him the next day as emperor, reigning from 1100 to 1126.
  • Huizong was famed for his promotion of Daoism. He was also a skilled poet, painter, calligrapher, and musician. Zhao Ji invented the “Slender Gold” style (瘦金體) of calligraphy. The name “Slender Gold” came from the fact that his writing resembled gold filament, twisted and turned. He sponsored numerous artists at his court, and the catalog of his imperial painting collection lists over 6,000 known paintings.
  • Zhao Ji took huge efforts to search for art masters. He established the “Hanlin Huayuan” (翰林畫院, the imperial painting academy), where the best painters all over China share their best works. His era name of Xuanhe (宣和) was also used to describe a style of mounting paintings in scroll format. In this style, black borders are added between some of the silk planes.
  • Zhao Ji was also a player of the guqin (古琴, a traditional string instrument), as exemplified by his famous painting “Listening to the Qin (聽琴圖)”. He also ordered the construction of a “Wanqin Tang” (萬琴堂, The Hall for Ten-Thousand Qin) in his palace. In 1114, following a request from Emperor Yejong of the Korean court of Goryeo, Huizong sent to the palace in the Goryeo capital at Gaeseong a set of musical instruments to be used for royal banquet music. Two years later, in 1116, he sent another, even larger gift of musical instruments (numbering 428 in total) to the Korean court, this time yayue (雅樂, elegant music) instruments, beginning that nation’s tradition of aak. 
  • Zhao Ji was also a great tea enthusiast. He himself wrote the famous Treatise on Tea, the most detailed and masterful description of the Song Dynasty sophisticated style of tea ceremony.
  • A true artist, Emperor Huizong neglected the army, and Song China became increasingly weak and at the mercy of foreign enemies. When the Jurchen of Manchuria founded the Jin dynasty and attacked the Liao kingdom to the north of the Song Empire, the Song court allied with the Jin and attacked the Liao from the south.
  • This succeeded in destroying the Liao kingdom, a long time enemy of the Song. However, an enemy even more formidable, the Jin, was now on the northern border. Not content with the annexation of the Liao kingdom, and measuring rightly the weakness of the Song empire, the Jin soon declared war on their former ally, and by the beginning of 1126 the troops of the Jin “left vice-marshal” Wanyan Wolibu crossed the Yellow River and came in sight of Kaifeng, the capital of the Song empire. Stricken with panic, Huizong abdicated on January 18, 1126 in favor of his son who became Emperor Qinzong (欽宗).
  • Reference source comuseum.
  • Provenance from a Lancashire antiques dealer.
  • Highly sought after & collectible.
  • Ready for immediate home wall display with hanging thread verso.
  • Incredible conversation piece for your guests. 
  • We only select & sell paintings based upon subject, quality & significance. 
  • We understand your purchase is for your home or as an investment. 
  • We provide our clients with friendly professional expert customer service. 
  • Condition report. 
  • Offered in fine used condition. 
  • Neatly framed and glazed with stains to the glass surface and scuffs, general wear to the frame, the painting surface is in good order.
  • International buyers worldwide shipping is available please ask for a quote.
  • Browse our other exciting collections available in our shop gallery happy shopping. 

 

Dimensions in centimetres of the frame approximate

High (43cm)
Wide (48cm)
Depth (1.5cm)


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